Movie Chronicle 3: You'll Remember Me - When the Self-narrative Falters
DOI:
https://doi.org/10.7202/1108016arKeywords:
memory, cinema, illness, narrative identity, persona, caregivers, story, narrativeLanguage(s):
FrenchAbstract
Édouard loses his memory. The thread of his life’s story dissolves, leaving him confused and lonely, and gradually cut off from a world in which, as we soon realize, he was accustomed to taking centre stage. An intellectual who is regularly invited to speak in the public arena, Édouard, the historian emeritus, is confronted with an illness that, ironically, affects his memory. He who, all his life, has reflected on his society by linking it to his past, gradually loses the ability to place his own life on the thread of a continuous narrative. How do those closest to him cope with the disappearance of a part of Edouard’s identity? Is illness simply the opposite of health for him, or is it also fertile ground for a transformation that would, paradoxically, make him more alive, in the philosopher’s sense of the phrase “alive until dead”? What’s left of us when the story we tell ourselves escapes us? Analysis of François Archambault’s 2022 film: Tu te souviendras de moi.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Nathalie Plaat-Goasdoue, Jacques Quintin
This work is licensed under a Creative Commons Attribution 4.0 International License.
The Canadian Journal of Bioethics applies the Creative Commons Attribution 4.0 International License to all its publications. Authors therefore retain copyright of their publication, e.g., they can reuse their publication, link to it on their home page or institutional website, deposit a PDF in a public repository. However, the authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy their publication, so long as the original authors and source are cited.